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Hammond@zk3.dec.com Archives
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These are the archives from Mark Longo's original Hammond List, 1994-97
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[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Tech Talk- Leslie snapping
One of our board members (thanks Dan!) suggested a source of AC suppression caps from DIGI-KEY as a replacement for the original 600vdc black or orange capacitors in Leslie amps. I wanted to share my experience on these and similar component "upgrades". We tested these same caps and other similar ones last year as a possible less-expensive replacement of the early "black cat" and light green "greenies", or the current orange, bulky and expensive "orange drop" caps. The new caps worked for a few months, and then simply committed suicide and died. As Murphey's Law would dictate, one of my "test amp" failures was in a Leslie 122 amp for Hall & Oates. Needless to say, two months after rebuilding, when the Leslie started snapping and crackling loudly in the middle of a show, H&O organist Bob Mayo, their keyboard tech (Pete Moshay) and I were not happy with the "new" replacements. Since it was a test amp, we supplied Pete with a fresh set of .1uf - 600vdc Orange Drops as a contingency. Pete simply replacements the caps with the orange drops --- back in business. The same amp has performed flawlessly since then. SO, after similar failures in our rental and test amps (NO mail-order amps were retrofitted with the new caps) it was back to the tried-'n-true orange drops, battle-ship-beefy as they are. HAMMOND also tried some 150VAC rated suppression caps in the late 80's. They were an odd light blue color and lasted about as long as the newest "replacement" did. If you happen to have them in ANY of your later-model Leslie 122 and 147 "gold" colored amps, get them out! They are mounted in the upper-left corner on the AC outlets. Carefully cut them out when new replacements are in-hand, and replace them one-at-a-time. I personally believe that the new capacitors cannot take the abuse of continued high voltage/ current peaks and rapid charge-discharge rates, which are the result of switching the Leslie a few times. Think about how MANY times you switch speeds in ONE night at a gig. Then over the weeks and months, years.... American technology may sometimes be a little old and bulky, but it works. Replacement TONEWHEEL GENERATOR FILTER CAPACITOR "Lion & Tigers & Bears --- Oh MY!" When we were testing every imaginable type of capacitor as a replacement for the original early-HAMMOND (pre-1963) wax-type and later (post-1963) styrene-type tonewheel generator filter capacitors, we tested each probable candidate in test organs. Although each capacitor manufacturer claimed that their design was equal-to-or-better than the originals, almost all failed our descriminating tests miserably. Most new capacitors are now primarily designed to block DC voltage, and their general application is NOT audio. The primary need in a HAMMOND tonewheel generator is for accurate and consistent filtering of very-low level audio, although a good DC performance is necessary especially on organs with percussion. The actual "filtering" operation is intended to block or remove as much of the lower frequency cross-talk and other noise from the tonewheel being filtered. Some new (and expensive!) types of capacitors altered the tonewheel output to such an extent that the resulting sound was almost unusable. Others filtered the audio, but were so naturally inductive that they picked up 60hz hum like a sponge and introduced it into the tonewheel audio. In these types of capacitors, since they ALL did it, the organ sat there and HUMMED loudly when several keys were pressed. Unbelievable..... My final choice was a capacitor which not only exhibits the critical audio filtering required in the generator's low frequency (almost DC) 32hz to 6000hz narrow band of frequencies, but is also completely non-inductive, and impervious to oil saturation. I carefully select, test and hand-match them in groups in much the same way HAMMOND originally did. But I also sweep audio through each cap and "tweak" the match even further to make the resulting sets of filter capacitors much-closer in tolerance than the originals. I still reject over half of the new capacitors from the factory as unsuitable for use in our Tonewheel Generators Filter Capacitor Kits! These are returned (for resale to....) or resold to another firm for use in a non-audio application. Bottom Line - When considering ANY component replacement, there are many factors to consider, and price, in MOST cases is NOT the most important one! We test all of our equipment and kits to FAILURE so we know what will happen to them in your equipment on the road, in the studio, or at home! Capacitors & Resistor & Diodes... Oh my! Al Goff, GOFF Professional via AOL
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