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Hammond@zk3.dec.com Archives
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These are the archives from Mark Longo's original Hammond List, 1994-97
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[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] M3 sound enhancement
Hello All (and especially Al),
The active members of this list know that I am always trying to enhance
the sound of my (poor mans) chopped M3 with 760 Leslie. I have
done several modifications on the pre-amp (posted on this list
under the subject "How to B an M" and was very enthousiast about the
result of recapping the tone generator. In my opinion it is step 1
to be done when you are looking after the real sound. After the
recapping job, I thought that nothing could be done to enhance the
sound further.
And then I read a message from Al (Goff) how they put B3 pre-amps
with M3 TG and manuals to get more portable on the road organs.
Why should they do that, I thought. The electronical differences
between the input stages of my AO-29 pre-amp and the B3's AO-28
pre-amp seem so minimal, and are so easy to correct (I'v changed
R20 to 2M2 and R6 to 5M6 to get the same frequency response as the
input stages of the B3, at least theoretically).
One day I gave it another look.
1. There was a small difference in design of the intermediate
amplifier (the stage before the expression pedal).
2. The M3 has a push-pull type amplifier designed to drive a loudspeaker,
where the B3 has a single ended class A type output stage.
3. The M3 output level capacitor controls the overall negative feedback
of the complete 4-tube power amplifier, whereas in the B3 only
the feedback of a 1-tube stage after the expression pedal
is controlled.
Another day (uhhh.. night), I gave it a try.
1. I modified the design of the intermediate amplifier to resemble the
B3's design:
R29 (.27M) -> 0 Ohm
R28 (3.3M) -> 3.3M || 4M7
C9 (20n) -> 20n || 12n
That made a lot difference in sound! Much more brightness in the
lower keyboard range and keyclick.
2. I removed C20 and rewired the connection of the volume control
capacitor C23 from the output transformer to the anode of V4b,
just as in the B3 is.
The organ spitted even more than it did already. And the setting
of the control influenced the frequency response much more, just
as described in earlier messages on this subject from Al and others.
So now I decided not to sleep until all other differences were
gone, or until my ears became satisfied.
3. Because there was no overall negative feedback over the power
amplifier stages anymore, I could now safely remove a number of
frequency correcting components:
R40 (100k) -> 0 Ohm
C22 (220p) -> removed
C27 (1n) -> removed
The result: a really Groove Holmes screaming upper octave!
4. With the optimal setting of the volume control capacitor with
respect to frequency response, I could not get the output amp
in overdrive. I need a little overdrive there, because I do
have a 760 Leslie (solid state).
So I changed the phase invertor stage of the power amplifier
to get more gain and overdriving one side of the push-pull
end stage:
R41 (100k) -> 100k || 1uF
Now the amplifier saturates just enough to get a little bit
growl, no rattles or sharp edges!
5. Now I could not be stopped anymore. I remembered a message on this
list about differences between the AO-28 and the AO-28-1 amplifier.
I saw that mine was comparable to the AO-28 and decided to
change it to resemble the AO-28-1. This modification affects
the percussion circuit, giving it a more marimba type of sound.
I like it!
6. Finally I remembered a message about various chorus control.
I added a 22k trim-potentiometer in series with the vibrato
delay line and the chorus/normal switch. I experimented
with various settings and now I can choose between
3 different chorus levels. The original no-chorus vibrato is
lost, but I did not like that sound at all.
7. I got to bed....
Maybe this inspires other M3 owners?
Greetings, Wim.
PS. The message about differences between the AO-28-1 and AO-28
amplifier is a little misleading, because there are other
differences in the percussion circuitry, that were not
mentioned there! If you make these changes, you have to do
them all!!
--
Wim Rijnsburger <rijnsburger@ecn.nl>
Netherlands Energy Research Foundation, ECN
P.O. Box 1, 1755 ZG Petten, Holland
phone: +31 224 564097 fax: +31 224 561407
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