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Hammond@zk3.dec.com Archives
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These are the archives from Mark Longo's original Hammond List, 1994-97
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[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: All I want for christmas is a good midi controller
>I would be interested in seeing if other players have thought about a >similar controller, and what their ideal specs would be for such a beast. YES! Wow, how funny. Yes, I've wanted to build something exactly like this for a long time. I used to write embedded digital piano software for Gulbransen (who is NOT in the organ business anymore, BTW). They do make a groovy retrofit MIDI controller for acoustic pianos, which I guess I should point out unfortunately does not lend itself well to a Hammond installation - it has to do with the way the Hammond keyboard was manufactured. I have to admit that was a hell of a fun job at times, but after 5 years there it was time to move on. Anyway, for a long time I thought it would be really cool to make a keyboard just as you described. A weighted 88-key keyboard on bottom, with an unweighted 61 on top, with one or two sets of drawbars. I was thinking keep it really simple, so just piano, organ, strings, maybe brass and a few pads. If you want more sounds, that's what MIDI's for. A big part of the charm of the Hammond organ is its funky close-but-no-cigar tuning. Many of the Hammond clone keyboards (such as the old Korg BX-3, CX-3) use octave-division synthesis and can't be tuned this way. The XB-2 was the first clone I heard that had the correct whiney not-quite-in-tune quality, which is why I bought it. Among the XB-2's problems, though, is not enough oscillators. Don't ya hate it when you do a left hand mash potatoes swirl only to discover all the oscillators got stolen from your right hand? I don't know how the XB-2 works, but it obviously only has a few oscillators, so it has to have some sort of assignent algorithm to figure out where to steal oscillators when it runs out. As the trend towards more oscillators continues, I thought, hmm, with a 128 osc synth, you could solve this problem the right way. I don't think anybody has tried this before. If you actually had 128 digital oscillators, why not pre-assign each oscillator to a sampled tonewheel waveform, tuned exactly to the same Hammond tuning that we all know and love. Then the key assigner's job would be to turn on each oscillator to the correct amplitude based on drawbar position and key position, exactly the way a real Hammond works. This would only leave a few oscs for Piano mode, so I don't know how you'd get piano and organ simultaneously. After we gather our consortium of venture capitalists, I'd love to be involved in the effort to figure out how. ;-) Something else I thought would have been cool to build is a Hammond clone contained entirely in a drawbar module. A while back I saw that new (well, it's not new anymore) Oberheim unit and I thought "Yes! Exactly!" until I played it and went "Ouch... ooh, no, not exactly..." Uh-oh, I'm rambling, and I'm supposed to be working. Ahh, right then! Anyway, I think Daniel's idea is right on the money. Don't know how big the market would be for such a thing. The comprimise I've come up with is a Korg SG-1D on bottom and an XB-2 on top. I made a wooden rack to get the two as close together as possible, but still not as close as I'd like. Dave
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